John Robb

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Do You Believe In The Power Of Rock & Roll?
An afternoon Of Spoken Word With John Robb

This is a brand new spoken word show currently on tour. John Robb talks about a life in music, his best selling book ‘The Art Of Darkness/The History Of Goth’, being the first person to interview Nirvana, coining Britpop, his adventures on the post punk frontline and so much more.

 

JOHN ROBB:

John Robb is a many-faceted creature.

Not just a well known face from TV but also a best selling author, musician, journalist, presenter and pundit, music website boss, publisher, festival boss, spoken word artist and frontman of The Membranes/Goldblade.

John Robb is all these things and more.

His recently released book ‘The Art Of Darkness – The History Of Goth’ is a worldwide pop culture best seller.

He grew up in Blackpool before punk rock came along and saved his life and he formed The Membranes – the highly influential post punk band whose current albums keep pushing forward with added choirs and textures and are critically acclaimed.

He was one of the leading post punk fanzine writers in the UK with ‘Rox’ before he went on to write for the rock press with Sounds in the 80s. He was the first person to interview Nirvana, and coined the expression Britpop and was instrumental in kick starting and documenting the Madchester scene with his writing.

His music and culture website louderthanwar.com is currently the 5th most read music and culture sites in the UK and at the front of diverse modern culture.

He is a constant on TV and radio commenting on music, culture and politics and one of the UK’s leading in conversation hosts who has his own successful youtube channel and his own books & music festival in Manchester every year called ‘Louder Than Words’.

He has written many books such as best sellers ‘Punk Rock – an Oral History’ and ‘The Stone Roses and the Resurrection of British Pop’ and in 2021 wrote a book about the leading eco energy boss Dale Vince from Ecotricity called ‘Manifesto’.

Current projects include a new book with Alan McGee as well as his own autobiography and a collected works of journalism (Do You Believe In The Power Of Rock & Roll?).

Do You Believe In The Power Of Rock & Roll? is a history of alternative rock from John Robb, with the music still ringing in his ears. This collection follows John’s journey from the late 1970s, when he was first caught up in punk’s high-octane thrill, to the present day, via the early days of the rave scene, the birth of electronic and techno, and myriad bands that spun off on their own idiosyncratic paths.

John was the first person to write about Nirvana, he coined the term Britpop, and he documented the Stone Roses’ rise out of Manchester before anyone else was interested. He was at every pivotal gig, and has interviewed every key player in the business, including Jordan, the queen of punk, founding father of new American rock Steve Albini, goth-rock guitarist Daniel Ash, infamous Oasis co-founder Noel Gallagher, and music greats like Lemmy and Poly Styrene.

Few others have witnessed first-hand so many important moments of the last forty years of rock history. Here, they come together to form the essential history of a personal quest to document the ever-changing soundtrack of the modern world.




 

Tara Breen, Pádraig Rynne and Jim Murray

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Tara Breen, Pádraig Rynne and Jim Murray are a trio composed of musicians at the forefront of our tradition.

Expect a performance from the gentle to the rhythmical and everything in-between. Embark on an odyssey of wonder, joyfulness and upbeat music as three incredibly talented and creative folk musicians shape melodies from past and present into something dynamic and irresistible.







The Acoustic Forum CIGF24

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We are delighted to once again welcome the return of the Acoustic Forum to this the 20th edition of the Clonakilty International Guitar festival!
The Acoustic Forum, hosted by Scoil na mBuachailli in their custom built music auditorium,  is an eclectic event which sees a selection of artists from the festival playing in an intimate and informal concert in the round, with each artist staying onstage for the duration.
Guided by guest host George Lowden, each performer gives an insight into their craft and performs a short selection to whet the appetite for the weekend ahead.
It’s off the cuff, it’s friendly and it provides the listener with a varied and spontaneous night that never fails to surprise!
This year’s event will include host  George Lowden & guests Preston Reed (US), Niamh Regan (IRL), Steve ón ‘ dings (IRL) & a mystery guest TBA
In keeping with The Acoustic Forum tradition a portion of the tickets for this event will be available at a reduced rate for the unwaged.
This will be operated on an honour system so please be sound!

Jim White and Marisa Anderson

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<<This event is free as part of Culture Night however due to limited capacity you must register for a ticket in order to attend>>

Jim White and Marisa Anderson

Acclaimed Australian drummer Jim White, who is surfing the crest of critical praise, not only for his debut solo record All Hits: Memories but also the first Dirty Three studio record in 12 years, Love Changes Everything. Jim will be performing an improvised music set with acclaimed American guitarist Marisa Anderson which will be inspired by Swallowtail, their lauded latest release on Thrill Jockey records. Both artists have performed at CIGF in the past but this will mark their first collaborative performance together in Ireland.

 

Jim White and Marisa Anderson

Swallowtail – Thrill Jockey Records – May 10, 2024

The collaboration between renowned drummer Jim White and acclaimed guitarist Marisa Anderson is a natural union of two of the most intuitive players and listeners working in music. White and Anderson are each very in-demand as collaborators in no small part because of their mastery, versatility and highly expressive playing. The duo have each amassed an impressive body of work, and remain at the vanguard of their practices due to an insatiable curiosity and delight in exploration of new avenues of expression. Their 2020 debut
The Quickening exemplified that daring spirit as an exercise in trust: two musicians who had never performed together before committing those first moments in time to record. 2024’s Swallowtail is a deepening of that trust, White and Anderson completely immersed in the moment, each attuned to the other fluidly moving as wind and water.

Swallowtail was recorded in the Australian coastal town of Point Lonsdale, Victoria with engineer Nick Huggins (Resting Bell Studio). White was coming off a month of international touring and Anderson traveled to Australia for the duo’s first few performances, the remote setting and calm provided the ideal backdrop. “It was a big change of vibe and scenery,” says Anderson, “to be out of the city and on the coast with no distraction and to be working with an engineer (and avid surfer) who is attuned to the cycles of tides and sunrises and sunsets and ocean rhythms. I think all of that got into the music as we were making it.” The coastal cadence is evident in Swallowtail’s more gradual temporal shifts. Movements ebb and flow, in an undulating constant motion whose dynamic flourishes closely resembles their adaptive live performances. “When we play live we don’t stop, there are no breaks in between ‘songs’,” notes Anderson, “we segue naturally between movements and ideas. Sometimes we are together, and sometimes we are apart, sometimes the segues become the pieces.” The natural development of the duo’s own singular meter, this early in their collaboration, is nothing short of revelatory.

The duo avoids preconceived movements, instead focusing on their musical conversation. As Anderson puts it, “The ideas aren’t the music, they are the pathway into the musical possibilities.” Their trust in one another and skillful interplay create an effervescence throughout the album. There is an organic ebb and flow to the duo’s motions that brings a sense of serenity and ease to spontaneous transitions, each swell and retraction sounding as free as it does inevitable.

Swallowtail is a journey of steady change. White and Anderson’s preternatural alchemy as a duo allows each fleeting gesture to feel featherlight and stirring while maintaining an inquisitive spirit. Their music is an enchanting and illuminating celebration of process as joy. Swallowtail lives at the precipice of slowly unraveling revelation and the thrilling unknown, White and Anderson finding beauty in pursuit of uncovering the next moment and what possibilities lie ahead of them. The album evokes both the natural setting of its recording and the natural expanses around home. Reminiscent of the grace of its namesake’s movement through the garden’s flora, Swallowtail is a beautiful listen whose depth unfolds with the dance of this astute and untethered duo, guiding us nimbly through nature’s vistas and our dreams.













The Altered Hours

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The Altered Hours are a rock group based in Cork City, Ireland. Their music explores vast psychedelic spaces, immediate post-punk tones, repetitive rhythms and propelling structures. The lyrics bind this wall of noise together, comfortably connecting the escapism of the abstract with the honestly of realism. This duality is played out in song and on stage by the male/female lead singers Elaine Howley & Cathal MacGabhann alongside Patrick Cullen on bass guitar/effects and Nora Lewon on drums. Continuing an ‘art-punk’ tradition while being influenced by artists such as The Velvet Underground, Sonic Youth, Pixies, Iceage, Lydia Lunch, Spacemen 3 & Stereolab.

The band most recently joined fellow Irish rockers Fontaines D.C on a major European tour, playing sold out venues such as Le Bataclan (Paris) & Paradiso (Amsterdam). The Altered Hours are now back in the studio putting the final touches to what will be their third full length album. The past few years the 5 piece have been headlining tours in the UK & Europe, creating what some journalists have described as a ‘cult-like’ status. Playing everywhere from ex-government buildings, deconsecrated churches, sheds, parties & anywhere else that will have them. Anton Newcombe (Brian Jonestown Massacre) invited them to record in his studio in Berlin in 2012 which resulted in a 10” vinyl being released on his label. The years ahead are set to be as exciting & energetic as ever for The Altered Hours with the group continuously carving out their own path in rock ‘n’ roll.

 

 

CIGF23 The Acoustic Forum

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We are delighted to once again welcome the return of the Acoustic Forum to this years Guitar festival! This year’s AF will be composed of all the amazing musical experiences you have come to expect from this event however the one thing that may be unfamiliar is the venue. We’re delighted to team up with Scoil na mBuachailli to host this years event in their purpose built music room.
The Acoustic Forum is an eclectic event unlike anything else you’ve ever seen which sees a selection of artists from the festival playing in an intimate and informal concert in the round, with each artist staying onstage for the duration.
Guided by the guest host, each performer gives an insight into their craft and performs a short selection to whet the appetite for the weekend ahead.
It’s off the cuff, it’s friendly and it provides the listener with a varied and spontaneous night that never fails to surprise!
This year’s event will include host  George Lowden & guests Gwenifer Raymond (WLS), Gemma Hayes (IRL), John Spillane (IRL) & Junior Brother (IRL)
In keeping with The Acoustic Forum tradition a portion of the tickets for this event will be available at a reduced rate for the unwaged.
This will be operated on an honour system so please be sound!

Jon Gomm

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“There are very few musicians on the planet who can actually strike me speechless with the beauty and skill of their playing. Jon Gomm is one of those musicians.” – Randy Blythe (Lamb Of God)

Jon Gomm is a singer-songwriter and acoustic solo performer based in Yorkshire, UK, known for his once-seen-never-forgotten virtuoso guitar style. This involves slapping, tapping and retuning as he plays, producing a huge, multi-layered sound filled with bass, drums and near-orchestral depth and complexity, all from a single guitar.

His songs are often deeply emotive, whether with or without his soft, affecting voice. And his live performances are intimate and powerful, but always punctured by his natural North Of England wit and self-deprecation.

Jon is also a passionate advocate for mental health and neuro-diversity.

 

“Jon, you are a genius man, I LOVE your music and playing!” – Steve Lukather (Toto)

“Wonderful guitar playing. An all-round genius” – Stephen Fry (actor, writer) speaking about Jon Gomm on The One Show (BBC, UK)

Eoghan Ó Ceannabháin

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“(Eoghan has) a creative streak on par with some of this country’s greatest-ever songwriters. The lyrics of The Deepest Breath are proof and testament to that. Incredibly powerful words which not unlike the great Liam Weldon, are words that belong to and represent the working people. Words of hope for the overlooked and hard done by.” – Myles O’Reilly

 

“Eoghan Ó Ceannabháin has a wondrously sonorous voice” – Irish News

 

“…once you hear his voice, you’re unlikely to forget it” – Folk Radio UK

 

EOGHAN Ó CEANNABHÁIN

Eoghan Ó Ceannabháin is a Dublin-based singer, songwriter, and multi-instrumentalist. His musical roots are in sean-nós singing – the style of his father – and he grew up listening to the likes of Sorcha Ní Ghuairim, Seán ‘ac Dhonncha, Colm Ó Caoidheáin and other greats from the tradition. He is also influenced by folk singers from the English language tradition such as Liam Weldon, Luke Kelly, Anne Briggs, Margaret Barry and Thomas McCarthy.

 

Eoghan has performed and recorded with a number of different bands, including Dublin-based Skipper’s Alley, Irish/Scottish/Manx Gaelic collaboration Aon Teanga: Un Chengey and folk/electronica band Jiggy. He also collaborates with Clare fiddle and viola player Ultan O’Brien.  Their debut album Solas an Lae won best album at the RTÉ Folk Awards in 2021.

 

Over the past few years, Eoghan has come into his own as a solo artist and songwriter. His songs – written in both English and Irish – build on his sean-nós singing foundations but combine hard-hitting lyrics with other musical influences to create a rich, contemporary sound. He recently released his debut solo album, ‘The Deepest Breath’.

For this intimate live show, Eoghan will be joined by Ian Kinsella on guitar & vocals; and Kaitlin Cullen-Verhauz on cello & vocals.

 

 

 

 


Aoife Nessa Frances

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In the spring of 2020, Aoife Nessa Frances packed up her things in Dublin and moved to rural County Clare on the west coast of Ireland. It was there, amidst the stillness, that she began to work on the songs that would become her second album, Protector: a personal, mystical journey of self-discovery through dislocation, transformation, and restoration. “I might have been running away from my problems,” she admits. “I was disconnected from myself and from nature, but I found peace far away from the city, where there were no distractions. I isolated myself with nothing to do but make music.”

Recording took place in a small house in County Kerry, at the foothills of the Annascaul, along with Brendan Jenkinson (producer, keys, bass, synth, clarinet) and Brendan Doherty (drums). “We’d wake up early every day and swim at Inch Beach before making music,” Frances describes. “This ritual was crucial for our process. There was an unexplainable joy happening between the three of us.” The arrangements grew with later contributions from Ailbhe Nic Oiroictaigh (strings), Meabh McKenna (harp), and Conor O’Brien (horns). No matter how it expanded in scope and involvement, Frances never let it stray from a central focus on deep truths. “For me, Protector acknowledges the part of myself that steers me towards a brighter path. The almost psychotropic power of nature gave me a connection I never felt before. As the countryside seeped into me and lines of communication opened up with my family, I developed an ability to perceive myself and my choices within an expanded world.”

Protector builds pastoral landscapes through light flourishes and open spaces. Songs float along effortlessly, remaining anchored by Frances’ deep voice. Contemplative tempos tug along atmospheric synths, minimal bass, and shimmering guitar notes, conveying a serenity like early morning. “Writing and recording this album was a spiritual experience,” Frances explains. “I experienced love for my family on a level I didn’t know existed, while slowly putting myself back together and watching the ‘protector’ in me grow much bigger.”

 

Gemma Hayes

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Gemma Hayes is a much loved and respected Irish singer songwriter. Her debut album, Night On My Side, was released in 2002, for which she won Best Female Artist at the Hot Press Awards and a Mercury Prize nomination. Since then she has released 4 critically acclaimed studio albums and a limited-edition live album. Gemma is constantly in demand for film and television placements – her version of Chris Isaak’s Wicked Game, recorded for the US TV series Pretty Little Liars, is now close to 19 million streams on Spotify alone.
Gemma is currently working on a new album which she herself describes as deconstructed folk-pop. Gemma will be releasing a song called High and Low at the end of February with her new album coming in September 2023.