Roy Harper

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Few surviving songer-songwriters from the counterculture of the 60s have kept their reputations intact. Of the generation of troubadours who came of age in the London folk clubs of that era, some have passed away, while others have surrendered to the regurgitation of the blandest form of acoustic folk music. But among the survivors, there is one figure whose body of work, comprising 23 studio LPs and almost as many live and compilation releases, has come to stand for a particularly single-minded form of integrity. That man is Roy Harper.

Now officially ‘retired’, and living in a secluded corner of Ireland, Harper has recently been hailed as a key influence by a much younger generation of devoted starsailors who instinctively recognise his innovations, his refusal to compromise and his visionary world view. It is rumoured that Joanna Newsom insisted she’d only play her recent UK shows if he would support her. The likes of Fleet Foxes and Jim O’Rourke are avowed fans; and in previous decades he has enjoyed public endorsements and tributes from the likes of Led Zeppelin, Kate Bush, Pink Floyd’s Dave Gilmour and many more.

A former participant in the skiffle revolution in the mid-50s, around 1964 Harper found himself joining the stream of bohemian rambler-buskers hitching and singing their way around Europe and North Africa. On his return to Britain he pitched in to the London coffee-house folk scene and secured a residence at legendary folk club Les Cousins, where he was spotted by the obscure Strike label.

Beginning with 1966’s Sophisticated Beggar, Harper’s music has consistently rattled the cage of received ideas. His versatile, poetic sensibility was employed in a wide range of song styles from romantic love songs to late-night mantras to blackly comedic throwaway numbers. A brilliant, percussive guitar stylist in his own right, he extended the form of folk music over the next few years, allowing himself the space to stretch out in long, lyrically dense and mantrically repetitive odysseys of poetic thought. “I was writing long poems in the 50s,” says Harper, “none of which unfortunately made it past the first few moves of living quarters. My first inspiration was John Keats’s Endymion.”

The first inklings of his expansive approach on record came on the ten minute “Circle” on 1967’s Come Out Fighting Genghis Smith – produced by Shel Talmy – and was vastly ramped up on the following year’s Folkjokeopus, which contained an 18 minute “McGoohan’s Blues”, named after the lead actor of TV’s The Prisoner and whose enigmatic verses were laced with anti-establishment rants.

By this time Harper was a favourite at the outdoor Hyde Park Festivals, where he was exposed to the wider attention of the underground scene. Now produced and managed by Peter Jenner, and signed to EMI’s progressive label Harvest, his 1969 LP Flat Baroque And Berserk reflected his reputation as a bloodyminded, truculent troubadour, reflecting turbulent times with anger, wrath and sardonic humour, singing – like the mistle thrush after which his next opus would be named – into the eye of the storm.

Stormcock (1971) is generally regarded as a masterpiece: a sprawling but focused suite of four lengthy tracks which explored the inner space of Abbey Road Studio to rhapsodic effect. Like Astral Weeks refracted through the pages of OZ magazine, the songs span an enormous spectrum of experience, from the frontline of social unrest to the secluded, birdsong-infested lanes of the English countryside. Led Zeppelin’s Jimmy Page added guitar, disguised as ‘S Flavius Mercurius’, highlighting a relationship with the group that had begun at the 1970 Bath Festival of Blues and Progressive Music. “Hats Off To (Roy) Harper”, an incoherent, gutsy blues workout on Led Zeppelin III, paid tribute to the singer’s status as a beacon of integrity for the underground scene.

Harper enjoyed a special relationship with Led Zeppelin, and his subsequent albums began to move into harder rock territory with the addition of various key collaborators including, as well as Page, orchestral arranger/keyboardist David Bedford, David Gilmour, Chris Spedding, Bill Bruford and John Paul Jones. Lifemask (1972) contained several songs written for the film Made, directed by John Mackenzie, which starred Harper as an edgy, high-maintenance rock star. Valentine (1974) was launched with a gig featuring Page and Bedford plus Ronnie Lane and Keith Moon. He was invited to sing lead on the single “Have A Cigar” from Pink Floyd’s classic album Wish You Were Here (1975). In the same year Harper released HQ, a rock based album notable for the closing track, “When An Old Cricketer Leaves The Crease”, an elegiac hymn to unchanging ways and mortality which BBC DJ John Peel insisted should be played in the event of his death.

With the dawn of the 1980s Harper took part in a musical exchange with Kate Bush, who guested on The Unknown Soldier (1980), while Harper returned the favour by appearing on Bush’s hit single “Breathing”. Harper rode the unsteady waves of the music industry during the early 1980s but kept up a productive output that saw his music taking on a prophetic role, expressing more explicit concerns with environmental disaster, religious fundamentalism, urban poverty and the first Gulf War, on releases like Once (1990), The Dream Society (1998) and The Green Man (2000). In 1994, exhibiting typical desire for autonomy and self-sufficiency, he set up his own record label, Science Friction, to curate and rerelease his entire back catalogue, along with a clutch of CDs of live and unreleased material covering his entire career. In his book, The Passions Of Great Fortune (2003), he published his complete lyrics together with photos, annotations and re-evaluations of every one of his songs. In 2005 Harper was awarded the Mojo Hero Award by the staff of Mojo magazine. The award itself was presented by long time collaborator and friend, Jimmy Page.

2011 saw Roy Harper’s incredible, visionary catalogue of work enter the digital domain in time for his music to take on a new, urgent and timely appeal, in an age in which the hypocrisies and injustices he railed against are more present than ever before. Roy featured heavily in all of the major music magazines, UK broadsheets, on radio and made appearances on prime time television including the BBC Breakfast show and Later with Jools Holland. To end the rush he performed a special show at the Royal Festival Hall in celebration of his 70th, joined on stage by his son Nick Harper, Joanna Newsom, Jonathan Wilson and a surprise appearance by Jimmy Page. It was an amazing show, selling out in just a few days. The response was extraordinary.

It’s been a damned good innings and he’s still not out. In January 2013 Harper received the BBC Radio 2 Folk Awards Lifetime Achievement Award. In September 2013 Roy Harper: Man & Myth – The Documentary, directed by George Scott, was broadcast on Sky Arts and his first album in thirteen years, ‘Man & Myth’, was released on Bella Union followed by three special concerts. The album received rave reviews.










Muireann Bradley

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18-year-old blues sensation Muireann Bradley, a remarkable talent hailing from the small town of Ballybofey in County Donegal, Ireland, signs with Decca Records/Verve Forecast to re-release her acclaimed debut album, I Kept These Old Blues, on 28th February 2025.

Bradley’s journey from playing in her bedroom to performing on Jools Holland’s Hootenanny this year has captivated audiences, establishing her as one of Ireland’s brightest emerging stars. Now she is poised for a global breakout.

Her newly remastered album will also feature previously unheard track ‘When The Levee Breaks’, which Muireann performed on The Late Late Show and wowed her fellow guests, Oscar and Golden Globe-nominated actors Paul Mescal and Andrew Scott (see the performance and interview here). Speaking about the track, Muireann says, “Originally recorded in 1929 by Memphis Minnie and Kansas Joe McCoy, ‘When The Levee Breaks’ is probably my favourite tune to perform live. Memphis Minnie is one of my biggest heroes, and I love her guitar picking on that record. My arrangement is a tribute to another one of my heroes, the great Philadelphia pre-war blues revivalist and teacher Ari Eisinger, who has been one of the biggest influences on my playing.”

Muireann’s signing with Decca Records solidifies her place as a torch-bearer for the new generation of blues, paying homage to the genre’s history while bringing her own fresh perspective to the stage.













 

Muireann ni Amhlaoibh, Gerry O’ Beirne, Donál O’Connor

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Muireann Nic Amhlaoibh, Dónal O’Connor, Gerry O’Beirne –

Following on from multiple 5 star reviews of her album “Róisín ReImagined” with The Irish Chamber Orchestra, RTÉ Radio 1 Folk Singer of the Year 2022 Muireann Nic Amhlaoibh is embarking on an Irish tour accompanied by celebrated musicians Gerry O’Beirne (guitar, vocals) and Dónal O’Connor (fiddle, keyboards, vocals). This concert is an an engaging and varied programme of songs in Irish and English along with lively instrumental pieces, and the trio are well known for their warm rapport with their audiences

Muireann Nic Amhlaoibh:

A renowned artist with a proven record of performance, recording and innovation, Muireann Nic Amhlaoibh is a multi-award winning traditional singer and musician from Corca Dhuibhne, West Kerry. Muireann is a leading exponent of the sean nós style, and loves to engage with audiences to share her love of the Irish song tradition. Her childhood in West Kerry saw her immersed in a rich cultural environment and vital living tradition. This was to be hugely influential on the foundation of her distinctive vocal and instrumental sound.

Muireann has enjoyed a successful career as a touring artist, with over thirteen years experience as lead singer and flute player with the Irish traditional supergroup Danú, as well as a many years performing as a solo artist. She holds an MA in Traditional Music Performance from the University of Limerick. In 2022 Muireann was awarded “Best Folk Singer” at the RTÉ Radio Folk Awards, and amongst many other awards, was Amhránaí na Bliana at the TG4 Gradaim Ceoil in 2011.

Muireann is also a popular television and radio presenter, having hosted a range of programmes for Irish and Scottish TV over the past 15 years, and currently presents her own music programme “Folk on One” on RTÉ Radio 1. Always keen to explore new ground, she has collaborated with many musicians in genres ranging from traditional to classical, world music to electronica. Most recently Muireann recorded “Róisín ReImagined” an album of sean nós songs arranged by contemporary Irish arrangers with the Irish Chamber Orchestra.

Is amhránaí agus ceoltóir traidisiúnta as Corca Dhuibhne, Co. Chiarraí í Muireann Nic Amhlaoibh. Tá cáil uirthi mar amhránaí an sean-nós agus cannan sí amhráin ó réimse leathan eile chomh maith. Tá mórán gradam bainte amach aici, ina measc Amhránaí na Bliana ag Gradam Ceoil T4 2011 agus Amhránaí na Bliana ag na RTÉ Radio 1 Folk Awards i 2022.
Le linn a hóige in Iarthar Chiarraí tomadh Muireann i dtimpeallacht shaibhir chultúrtha agus i dtraidisiún maireachtála ríthábhachtach, a raibh tionchar an-mhór aige ar bhunús a fuaime sainiúil gutha agus uirlise.  Tar éis di máistreacht a fháil i dtaibhsiú an ceoil traidisiúnta, do chaith sí  breis agus trí bliana déag mar phríomh-amhránaí agus seinnteoir fliúite leis an ngrúpa mór le rá traidisiúnta Danú.

Is láithreoir teilifíse agus raidió í Muireann do leithéidí RTÉ 1, TG4, RTÉ Radio 1, RTÉ Raidió na Gaelatchta agus BBC Alba  chomh maith agus cuireann sí a clár féin “Folk on One” i láthair ar RTÉ Radio 1. Bíonn sí ag comhoibriú le  go leor ealaíontóirí as seánraí eile agus traidisiúin amhránaíochta domhanda a bhfuil spéis mhór aici ann.  Le déanaí d’eisigh sí an t-albam d’amhrán sean-nóis  “Róisín ReImagined” –  comhoibriú le Ceolfhoireann Earagail Aireagail na hÉireann agus cumadóirí comhaimsirthe Éireannacha a bhfuair ard-mholadh.

RTÉ Radio 1 Folk Singer of the Year 2022

“One of the earthiest and most distinctive voices, not just in traditional circles, but anywhere” – The Irish Times

“One of today’s great singers” – Irish Echo 
“Mysterious Perfection”– Dónal Lunny

Dónal O’Connor: 
Dónal O’Connor is one of Ireland’s leading traditional musicians, he is also a much sought-after and highly regarded producer. He comes from a long and distinguished line of Irish fiddlers and singers and his collaborations have variously included membership of Ulaid, At First Light, Lá Lugh and RTÉ Radio 1 Folk Singer Muireann Nic Amhlaoibh’s touring ensemble. Described by the Irish Times as a ‘fearless musical adventurer’ and ‘a renaissance man’ he has brought his native Oriel music to all four corners of the globe, and he is a founder and Artistic Director of Belfast Tradfest.

His fiddle style is heavily influenced by his father Gerry O’Connor, the Oriel tradition, and the great northern fiddle masters such as Seán Maguire, Brendan McGlinchey, Bríd Harper & Tommy Peoples. He has composed music for theatre, television and film and has presented music shows for BBC ALBA, BBC NI, TG4, BBC Radio Ulster and Raidió na Gaeltachta.

Dónal is also the producer of the recent collaboration between Muireann Nic Amhlaoibh and The Irish Chamber Orchestra “Róisín ReImagined”.
“O’Connor’s winning blend of pace and lyricism transmits his enthusiasm for the music directly to the listener with irresistible impact” – Herald Scotland 

Gerry O’Beirne:
A native of the west of Ireland and reared there and in west Africa, Gerry O’Beirne is a self taught master of the six and twelve string, slide guitar and ukulele and other stringed instruments. Many of his songs have been recorded by well known artists on the Irish music scene including Mary Black, Maura O’Connell and Muireann Nic Amhlaoibh. His own albums have received much acclaim around the world, and he produced and arranged music for many others including Patrick Street, Kevin Burke and Micheál O’Domhnaill.

His writing is a hybrid of the passion found in traditional music and the freshness of contemporary song. Gerry has toured the globe as a solo artist and with the Sharon Shannon Band, Patrick Street, Midnight Well, Andy M. Stewart, Kevin Burke, Andy Irvine, and the Waterboys. He has performed at the White House, opened for the Grateful Dead, and played electric guitar with Marianne Faithfull. He lives near Dingle in West Kerry.
“A sublime talent….opens new creative vistas for acoustic guitar music” – fRoots




 







 

Spider Stacy (The Pogues)

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Musician, singer and actor, Spider Stacy is best known around these parts as a founding member of The Pogues. He will be the special guest at John Robb’s show ‘Do you believe in the power of rock n roll ?’

John Robb

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Do You Believe In The Power Of Rock & Roll?
An afternoon Of Spoken Word With John Robb

This is a brand new spoken word show currently on tour. John Robb talks about a life in music, his best selling book ‘The Art Of Darkness/The History Of Goth’, being the first person to interview Nirvana, coining Britpop, his adventures on the post punk frontline and so much more.

 

JOHN ROBB:

John Robb is a many-faceted creature.

Not just a well known face from TV but also a best selling author, musician, journalist, presenter and pundit, music website boss, publisher, festival boss, spoken word artist and frontman of The Membranes/Goldblade.

John Robb is all these things and more.

His recently released book ‘The Art Of Darkness – The History Of Goth’ is a worldwide pop culture best seller.

He grew up in Blackpool before punk rock came along and saved his life and he formed The Membranes – the highly influential post punk band whose current albums keep pushing forward with added choirs and textures and are critically acclaimed.

He was one of the leading post punk fanzine writers in the UK with ‘Rox’ before he went on to write for the rock press with Sounds in the 80s. He was the first person to interview Nirvana, and coined the expression Britpop and was instrumental in kick starting and documenting the Madchester scene with his writing.

His music and culture website louderthanwar.com is currently the 5th most read music and culture sites in the UK and at the front of diverse modern culture.

He is a constant on TV and radio commenting on music, culture and politics and one of the UK’s leading in conversation hosts who has his own successful youtube channel and his own books & music festival in Manchester every year called ‘Louder Than Words’.

He has written many books such as best sellers ‘Punk Rock – an Oral History’ and ‘The Stone Roses and the Resurrection of British Pop’ and in 2021 wrote a book about the leading eco energy boss Dale Vince from Ecotricity called ‘Manifesto’.

Current projects include a new book with Alan McGee as well as his own autobiography and a collected works of journalism (Do You Believe In The Power Of Rock & Roll?).

Do You Believe In The Power Of Rock & Roll? is a history of alternative rock from John Robb, with the music still ringing in his ears. This collection follows John’s journey from the late 1970s, when he was first caught up in punk’s high-octane thrill, to the present day, via the early days of the rave scene, the birth of electronic and techno, and myriad bands that spun off on their own idiosyncratic paths.

John was the first person to write about Nirvana, he coined the term Britpop, and he documented the Stone Roses’ rise out of Manchester before anyone else was interested. He was at every pivotal gig, and has interviewed every key player in the business, including Jordan, the queen of punk, founding father of new American rock Steve Albini, goth-rock guitarist Daniel Ash, infamous Oasis co-founder Noel Gallagher, and music greats like Lemmy and Poly Styrene.

Few others have witnessed first-hand so many important moments of the last forty years of rock history. Here, they come together to form the essential history of a personal quest to document the ever-changing soundtrack of the modern world.




 

Breen Rynne Murray

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Tara Breen, Pádraig Rynne and Jim Murray are a trio composed of musicians at the forefront of our tradition.

Tara Breen has numerous All Ireland titles on the fiddle and tours regularly with The Chieftains, Stockton’s wing and as a solo performer. Pádraig Rynne is considered a leading figure in Irish music and is founding member of well-known bands such as NOTIFY and Guidewires. Jim has been one of the most sought after and busiest musicians of his generation over the past two decades recording and touring with some of the best known folk musicians in the world. Their 2021 release “Nasc” is regarded as one of the finest albums in recent years from an Irish Traditional outfit and was winner of the best traditional album in the 2022 American Celtic listener supported radio awards.

“Sure-footed, engaging and joyful music from a dynamic Clare duo. Expert musicianship, courageous creativity and sweetness of melody” – Muireann Nic Amhlaoibh, RTÉ Radió na Gaeltachta

 

Expect a performance from the gentle to the rhythmical and everything in-between. Embark on an odyssey of wonder, joyfulness and upbeat music as three incredibly talented and creative folk musicians shape melodies from past and present into something dynamic and irresistible.

BIOS:

Described as “one of the freshest sounds in Irish music” by fRoots, Pádraig Rynne is a virtuoso musician, prolific composer and is regarded as the finest concertina player in Irish music today. With an MA in Music Technology and with a passion for experimenting in diverse genres Pádraig is recognized for his re-freshing explorations into the Irish tradition and for his ground-breaking band NOTIFY, described by the New York Echo as “cinematic in scope”.

A worthy description as “a musical wizard” by Music Network, Tara Breen is the fiddler with the legendary band, The Chieftains. She is an all-round extraordinary musician who has 11 solo All-Ireland titles. Tara is also the winner of both the coveted Fiddler of Dooney and Michael Coleman Fiddle competitions and was invited to perform at Dublin Castle for the Queen of England during her State visit to Ireland. Tara has numerous recording credits to her name and regularly guests with artists such as Carlos Nunez, Stockton’s wing and the Trí Tones.

 

Jim Murray has been touring the world full time as a professional musician since the age of eighteen. Jim is considered Sharon Shannon’s “right hand man” having recorded and toured with her over five continents.  He also released two critically acclaimed albums with long term partner Seamus Begley in 2001 and 2008 which collectively scooped many prestigious awards such as The Irish Times and Hotpress Traditional Irish Music Album of the Year. Since Jim’s arrival on the world stage, he has gained the respect of both national and international musicians and has performed and recorded with artists such as Sinead O’Connor, Steve Earl, Shane McGowan, Altan and Mary Black to mention but a few.

 

 

“Rynne and Breen have fabulous chemistry together and have found backing musicians who are more than mere accompanists but who are stakeholders in the game” – Dan Neely, The Irish Echo, New York

 







The Acoustic Forum CIGF24

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We are delighted to once again welcome the return of the Acoustic Forum to this the 20th edition of the Clonakilty International Guitar festival!
The Acoustic Forum, hosted by Scoil na mBuachailli in their custom built music auditorium,  is an eclectic event which sees a selection of artists from the festival playing in an intimate and informal concert in the round, with each artist staying onstage for the duration.
Guided by guest host George Lowden, each performer gives an insight into their craft and performs a short selection to whet the appetite for the weekend ahead.
It’s off the cuff, it’s friendly and it provides the listener with a varied and spontaneous night that never fails to surprise!
This year’s event will include host  George Lowden & guests Preston Reed (US), Niamh Regan (IRL), Steve ón ‘ dings (IRL) & a mystery guest TBA
In keeping with The Acoustic Forum tradition a portion of the tickets for this event will be available at a reduced rate for the unwaged.
This will be operated on an honour system so please be sound!

PRESTON REED:

ÁINE TYRELL:

STEVE ÓN ‘DINGS:

NIAMH REGAN:

Jim White and Marisa Anderson

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<<This event is free as part of Culture Night however due to limited capacity you must register for a ticket in order to attend>>

Jim White and Marisa Anderson

Acclaimed Australian drummer Jim White, who is surfing the crest of critical praise, not only for his debut solo record All Hits: Memories but also the first Dirty Three studio record in 12 years, Love Changes Everything. Jim will be performing an improvised music set with acclaimed American guitarist Marisa Anderson which will be inspired by Swallowtail, their lauded latest release on Thrill Jockey records. Both artists have performed at CIGF in the past but this will mark their first collaborative performance together in Ireland.

 

Jim White and Marisa Anderson

Swallowtail – Thrill Jockey Records – May 10, 2024

The collaboration between renowned drummer Jim White and acclaimed guitarist Marisa Anderson is a natural union of two of the most intuitive players and listeners working in music. White and Anderson are each very in-demand as collaborators in no small part because of their mastery, versatility and highly expressive playing. The duo have each amassed an impressive body of work, and remain at the vanguard of their practices due to an insatiable curiosity and delight in exploration of new avenues of expression. Their 2020 debut
The Quickening exemplified that daring spirit as an exercise in trust: two musicians who had never performed together before committing those first moments in time to record. 2024’s Swallowtail is a deepening of that trust, White and Anderson completely immersed in the moment, each attuned to the other fluidly moving as wind and water.

Swallowtail was recorded in the Australian coastal town of Point Lonsdale, Victoria with engineer Nick Huggins (Resting Bell Studio). White was coming off a month of international touring and Anderson traveled to Australia for the duo’s first few performances, the remote setting and calm provided the ideal backdrop. “It was a big change of vibe and scenery,” says Anderson, “to be out of the city and on the coast with no distraction and to be working with an engineer (and avid surfer) who is attuned to the cycles of tides and sunrises and sunsets and ocean rhythms. I think all of that got into the music as we were making it.” The coastal cadence is evident in Swallowtail’s more gradual temporal shifts. Movements ebb and flow, in an undulating constant motion whose dynamic flourishes closely resembles their adaptive live performances. “When we play live we don’t stop, there are no breaks in between ‘songs’,” notes Anderson, “we segue naturally between movements and ideas. Sometimes we are together, and sometimes we are apart, sometimes the segues become the pieces.” The natural development of the duo’s own singular meter, this early in their collaboration, is nothing short of revelatory.

The duo avoids preconceived movements, instead focusing on their musical conversation. As Anderson puts it, “The ideas aren’t the music, they are the pathway into the musical possibilities.” Their trust in one another and skillful interplay create an effervescence throughout the album. There is an organic ebb and flow to the duo’s motions that brings a sense of serenity and ease to spontaneous transitions, each swell and retraction sounding as free as it does inevitable.

Swallowtail is a journey of steady change. White and Anderson’s preternatural alchemy as a duo allows each fleeting gesture to feel featherlight and stirring while maintaining an inquisitive spirit. Their music is an enchanting and illuminating celebration of process as joy. Swallowtail lives at the precipice of slowly unraveling revelation and the thrilling unknown, White and Anderson finding beauty in pursuit of uncovering the next moment and what possibilities lie ahead of them. The album evokes both the natural setting of its recording and the natural expanses around home. Reminiscent of the grace of its namesake’s movement through the garden’s flora, Swallowtail is a beautiful listen whose depth unfolds with the dance of this astute and untethered duo, guiding us nimbly through nature’s vistas and our dreams.













Zinester Ghost: Sister Ghost’s Zine Workshop – Reverb

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‘Zinester Ghost: Sister Ghost’s Zine Workshop” –
 Join the Sister Ghost gang for an afternoon of herstory, creativity and zine-making activism! Suitable for beginners to advanced zine-makers, this workshop will be fun & hands-on, touching on topics within intersectional feminism, women in music and activism. You’ll learn about zine culture and have the opportunity to create your own zine with the band.’
This workshop is for female & non binary participants.
Location: The Shack, 10 Astna St, P85 R580

Molly O’Mahony

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Molly O’Mahony has spent much of the last decade writing and performing with art-folk group Mongoose. She returned to her home place of west Cork in March of 2020, and against the backdrop of the unfolding pandemic, began work on her first solo collection of songs.

During lockdown, she bounced many ideas off her two musician siblings Matilda and Fiachra and collaborated on arranging a number of covers with them. This period of time and these collaborations greatly informed her own songs, which were recorded over the summer of 2021, and which her siblings played a crucial role in arranging and playing on.

Molly released two of these songs over the latter half of last year, Remember To Be Brave and Brother Blue.

Her debut album is scheduled for October 2022