LOWmountain
its been a long year for LOWmountain , slowly & meticulously gathering inspiration for their next album, & now its time for them to offer a peak at their findings…
The Church
The Church, led by electric guitar high priest Matt Churchill is an instrumental, brain exploding, wig out machine that comprises some of the finest session musicians in the country, every lick, chop and lead that Churchill unleashes causes synaptic explosions in the central nervous system!
Their shows are a rare event making their annual Clonakilty International Guitar Festival not only one of the highlights of the festival but a highlight of the YEAR!
VIDEO:
Breakfast with the Inkspots
Do you have the power of The Ink Spots In your life?
either way, join us for Breakfast With The Ink Spots where Ronan Leonard plays a selection from the many records that they recorded and released from the 1930s onwards.
You enjoy the music and food, flick through the papers, talk about what you’ve enjoyed in the festival so far and what is to come for the rest of the Sunday.
The Ink Spots are known to most for their amazing catalogue of songs (that mostly sound the same, but in a glorious depending way, like a good cup of tea you don’t need to tweak everything!)….
they are known to some via classic movies from or set in the 30/40s…
known to others from being the soundtrack to computer games such as the Fallout series or Bio Shock…
but loved by all this is one of the best ways you can start your day!
Bill Shanley
Bill Shanley has done as much as anyone to build Clonakilty’s reputation as a musical paradise and it is fitting that in our 20th year we showcase his immense talent. Bill will be joined by his stellar band featuring John Fitzgerald, Anthony Noonan, Duncan Lutz, Graham Murphy and special guest Michael McGovern, playing selections from his album Midnight Mission, as well as some surprises along the way.
Raised in the West Cork haven of Clonakilty in the renowned Shanley’s Music Bar (recently celebrating 120 years in business!) Bill was surrounded by pro musicians from a very young age. Bill’s father, Moss Shanley, a great piano player and entertainer immersed in the music of the 40’s and 50’s, encouraged Bill to sit in on gigs from an early age and was a great mentor to him in his formative years.
Noel Redding, of the Jimi Hendrix Experience, gave Bill his first guitar lessons and was a big part of Bill’s musical education, introducing him to early Rock and Roll and more. From his first guitar lessons with Noel at the age of nine they played hundreds of gigs together in Shanley’s Bar, joined on regular occasions by Mitch Mitchell, Tom Mc Guinness and Eric Bell.
Noel and Bill’s playing partnership culminated in a concert, together with Randy California, in the famous Olympic Theatre in Paris in 1990 to mark the 20th anniversary of Hendrix’s death, the same venue that the JME did their first ever gig in 1966.
In 1990, straight out of school, Bill moved to Dublin and established himself as a highly sought after guitarist both in the studio and live. Accompanying Eleanor McEvoy during the heady days of recording “A Woman’s Heart”, on the strength of which Eleanor and her band signed to Geffen Records in 1993, and becoming a key member of Mary Black’s band in 1995, remaining so today as musical director, and recording the Full Tide, Stories from the Steeples, Speaking with the Angels, Shine and more recently Mary Black sings Jimmy Mac albums.
Midnight Mission is Shanley’s most recent album and comprises original recordings inspired by the excitement and melodies of early electric guitar music, drawing on Bill’s world class guitar playing and ability to write great, timeless melodies. It features special guests Ray Davies and Paul Brady.
Session & Touring Guitarist, Producer…
Dublin based, Bill is one of Ireland’s top session and touring guitar players and producers. Bill has established himself internationally too, through touring and contributing to albums with Ray Davies, Paul Brady, Mary Black, Roy Harper, Gilbert O Sullivan, Alexandra Burke, Sinead O’Connor, Judy Collins to name a few.
Being an accompanist has always been of key interest to Bill, enjoying the great scope and limitless backdrop you can create as a player for the artist you’re working with. This skill was commented on in the Financial Times review of a Ray Davies show a the Royal Albert Hall –“Is there a finer sideman around? It’s unlikely…”