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Leo lives in Antwerp, Belgium. As well as performing alongside the best of solo fingerpicking guitarists, he has taught a lot over the years. He has made some of the best arrangements of ragtime music in the world.

Leo Wijncamp was part of the 1970’s Kicking Mule Label which has been instrumental in promoting and preserving the best in blues, ragtime and contemporary picking. He featured alongside artists such as Dave Evans, Ton Van Bergeyk, Happy Traum, Duck Baker, Bert Jansch, John Renbourn, Davy Graham and of course Stefan Grossman one of the co founders of Kicking Mule Records. He toured along Grossman, Marcel Dadi and Dale Miller.

Biografie
Leo, born 1951 in Amsterdam, Holland, started playing the guitar at the age of 10, taking lessons for half a year, got bored with it and put the instrument in a closet. But when the Beatles, Kinks, Byrds etc started the pop music it was quickly taken out of that same closet. In the late 60’s musical taste twisted towards the Cream, Jimi Hendrix and the white blues and he picked up the electric guitar. Passing to the black Chicagoblues he discovered one day the acoustic blues: Robert Johnson was a strike of lightning: that was it ! And the next years were spent with learning by ear from the records the old blues from the 20’s and 30’s. He started to fingerpick. An instrumental guitar record by Stefan Grosmann had a strong influence on Leo; the discovery of Ragtime music. Originally composed for piano it could perfectly be adapted on the guitar, using the fingerpicking style, learned from the old bluesmen. So the early 70’s were filled with making arrangements from piano rags to the guitar. In the same period he started preforming in Holland; cafe’s, youth centers in the –those days existant- “folkcircuit”.

In 1974 or so, Stefan Grosmann made him an offer he couldn’t refuse; to record some of the guitar rags on a just started American label “Kicking Mule Records”. The first rags appeared on a sampler record “Contemporary Ragtime Guitar” with other guitarists from USA.
From 1974-1978 he followed a classical guitar education at the Conservatory in Utrecht (mind : till so far Leo was an autodidact !), but quit with dignity before getting kicked out. The release of his first solo lp “Rags to Riches” came out in 1975, and started a period of touring in Belgium, France, England and Italy, often together with other guitarists of the KM label: Stefan Grosmann, Bert Jansch, John Renbourn, Davy Graham, Marcel Dadi, Duck Baker, John James and others. Slowly other influences slipped in; the classical piano music of Debussy and Ravel (the so called musical “Impressionism”), he started to transcribe their- as well as others – music on the guitar, without the aim of being a “classical” guitarist, using steel strings instead of nylon, and using his Gibson guitar. He also started to write pieces himself. Another few tunes appeared on 2 sampler records, before the 2nd solo album came out in 1980: “the Return of Dr Hackenbush”.
Leo moved to Antwerp, Belgium, in 1988, as the musical leader of a theatergroup, the “Internationale Nieuwe Scene” (now defunct) 4 years of lenght and did a lot of teaching at various music schools.

These days he is playing solo again as well as duets with an oldtime mate Cees van der Poel, who played in the legendary duo “Wolverlei” preforming old Dutch folkmusic in new arrangements.

Now the lads joined together after a 40 years lapse in the duo “Ragtime Guitar Parlour” Their repertoire goes from old blues (Blind Blake and others), to Ragtime to Jazz standards and even O’Carolan’s Celtic harppieces to end up with the strange music of a Czech composer from the 1920’s. Instrumental and vocal, solo and duets.

As a duo they released an EP-cd, last year, and Leo is preparing a solo cd with some live recordings and others, hopefully ready for september!

https://youtu.be/tqhmbWznmBc

“a masterpiece” John Renbourn
“beyond beautiful… it’s PERFECT!” Tommy Emmanuel

To find a unique voice on so ubiquitous an instrument as the acoustic guitar is quite an achievement: to do so within a centuries old idiom where the instrument has no real history is truly remarkable.

Tony McManus has come to be recognised throughout the world as the leading guitarist in Celtic Music. From early childhood his twin obsessions of traditional music and acoustic guitar have worked together to produce a startlingly original approach to this ancient art. In Tony’s hands the complex ornamentation normally associated with fiddles and pipes are accurately transferred to guitar in a way that preserves the integrity and emotional impact of the music.

Self taught from childhood, initially through listening to the family record collection, McManus abandoned academia in his twenties to pursue music full time. The session scene in Glasgow and Edinburgh provided the springboard for gigs around Scotland and a studio set for BBC Radio, frequently rebroadcast, began to spread the word.

Tony’s first self titled recording in 1996, followed by Pourquoi Quebec in 1999 led to worldwide recognition. However, it was with the release of Ceol More in 2002 that Tony’s stature as a first class musician reached a new level. Critics hailed the focussed, spell-binding nature of the music, from the plaintive Jewish hymn “Shalom Aleichem” to the ingenious arrangement of the Charles Mingus classic “Goodbye Pork Pie Hat”. Having been nominated as Musician of the Year by both the BBC Folk Awards and The Scottish Traditonal Music awards, in 2002 “Ceol More” hit the Critic’s Album of the year list in Acoustic Guitar magazine and named “Live Ireland Awards” Album of the Year.

Tony’s work has come to represent Celtic music in the guitar world, making regular appearances at guitar specific events where just a few years ago jigs and reels would be unheard of. He is invited annually to the Chet Atkins Festival in Nashville, has appeared at Guitar Festivals in Soave and Pescantina, Sarzana and Francacorta Italy; Frankston, Australia; Issoudun and Bordeaux France; Kirkmichael, Scotland; Bath and Kent, England; Bochum and Osnabruck, Germany. In 2004 he appeared at the famous Ryman Auditorium in Nashville in the “All Star Guitar Night” featuring Steve Morse, Bryan Sutton, Muriel Anderson, Béla Fleck and Victor Wooten and headlined by the legendary Les Paul.

His ability to reach audiences unfamiliar with traditional music is remarkable- he is quite comfortable at predominantly classical events such as the Dundee and Derry Guitar Festivals (appearing six times between the two) the Uppsala Guitar Festival and even The Bogotá International Guitar Festival where he followed virtuoso Eduardo Fernandez.

Today his live work ranges from intimate solo performance through his trio with brothers Gary and Greg Grainger to the quartet Men of Steel (with fellow guitarists Dan Crary, Beppe Gambetta and Don Ross). He is an enthusiastic collaborator both as a leader and as a sideman having worked with, among many others Dougie McLean, Phil Cunningham, Mairi MacInnes, Liam O’Flynn, Martin Simpson, Kevin Burke, Alison Brown, Martyn Bennett, Natalie MacMaster, Patrick and Jacky Molard, Mairead ní Mhoanaigh and Dermot Byrne, The Nashville Chamber Orchestra, John Jorgenson, Jean Michel Veillon, Catriona Macdonald, Seikou Keita, Xosé Manuel Budiño, Ewen Vernal and Andy Irvine.
He is also in great demand as a studio musician having contributed to over 60 albums. In addition to his solo output Tony has worked with both singers and instrumentalists providing his distinctive sound on many successful projects.

His 2009 release “The Makers’s Mark” saw him showcase 15 of the finest luthier built guitars available. Recording a solo piece on each instrument, the project caught the attention of the mainstream rock guitar press in a way that acoustic work rarely does.

The following year, a chance hearing on Irish radio led to an invite to contribute music to the soundtrack of Oscar winning director Neil Jordan’s film “Ondine” starring Colin Farrell.

Never one to be typecast, Tony’s new album “Mysterious Boundaries” is his most ambitious to date. An encouraging challenge from mandolin virtuoso Mike Marshall to learn the Bach E Major Prelude on guitar led to an exploration of classical and baroque music – seemingly very different to the jigs and reels that he grew up with. By examining the boundaries between genres and sticking to his steel string guitar (rather than the conventional classical guitar) McManus has produced a work of great originality and beauty, hailed by his peers as
“a masterpiece” (Renbourn), “beyond beautiful… it’s PERFECT!” (Tommy Emmanuel) and which contains a truly remarkable rendition of Bach’s colossal Chaconne in D Minor – one of the greatest compositions of any age.

Whatever work McManus brings within his scope the listener is assured a journey into the depths of the music in the company of a great talent.

George Lowden is one of the world’s most celebrated luthiers, and his guitars are played by the finest players on the planet. The list of Lowden devotees includes Eric Clapton, Pierre Bensusan, Paul Brady, Ed Sheeran, Damien Rice, Alex DeGrassi, Richard Thompson, Mike Oldfield, Nick Harper, Jon Gomm, Bill Shanley and Thomas Leeb. George is an old friend of the festival, having given numerous seminars and workshops over the previous 14 years. As we celebrate our fifteenth year, George is celebrating his forty fifth in the business!

The Acoustic Forum is an eclectic event unlike anything else you’ve ever seen which sees five of our artists play in an intimate and informal concert in the round, with each artist staying onstage for the duration.  Guided by the guest host, each performer gives an insight into their craft and performs a short selection to whet the appetite for the weekend ahead.  It’s off the cuff, it’s friendly and it provides the listener with a varied and spontaneous night that never fails to surprise!

In a fresh twist to this year’s Forum guest host will be Internationally renowned luthier & all round amazing guy George Lowden, with guests Celtic guitar druid Tony McManus,  Dutch Ragtime virtuoso Leo Wijnkamp Jnr. Jazz pop siren Eve Clague & one more special guest yet to be announced!

Fintan McKahey is a young Irish singer- songwriter. His percussive style of guitar resonates with the mystic pulse of West Cork.

Fintan is the son of an Irish drummer (Stump) and British actress. Travels through Thailand, the Masai Mara in Africa and studies with Laika shamans in the Sacred Valley, Peru, have influenced his songs. A multi disciplinary artist, he continues to work as a performer in Ireland, having trained as a classical actor at Kinsale’s amphitheatre.

A year in London furthered his experience of music production, while hip hop and down tempo electronic music permeates his recent work. Fintan’s debut EP ‘Two Lifetimes Late’ launches at the iconic DeBarra’s Folk Club on 19th June.

Fintan McKahey’s ‘Two Lifetimes Late’ tours Ireland early summer 2016.

VIDEO:

“Master Cooney restores the ancient link between lyre and lyric, between poetry and performance, the rhapsody and rascality.” – Seamus Heaney

Since moving to Ireland from Melbourne Australia, in 1981 Stephen Cooney has made a meteoric impact on traditional music in this country. Testament to this are the seminal groups and albums that Cooney has contributed to from Sharon Shannon’s first record to his current work with Luka Bloom. For the last 6 years Steve has contributed greatly to the Guitar Festival, hosting a series of workshops & performances. Last years performance saw Steve perform a never before seen show with two percussionists & his electric guitar which still hangs in the air as one of the special highlights of the fest to date with this years performance set to eclipse them all!

Workshop  Steve returns to give his now-legendary seminars at the guitar festival.  In response to incredible demand, we’ve allocated extra time for Steve to share his unparalleled knowledge of a wide range of music.  Last year’s workshop was one of the festival’s secret gems as Steve illustrated his unique and accessible way of notating music and creating harmony for backing melodies

VIDEO:

https://youtu.be/uxRCOoeHFKM