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Marisa Anderson channels the history of the guitar and stretches the boundaries of tradition. Her deeply original work applies elements of minimalism, electronic music, drone and 20th century classical music to compositions based on blues, jazz, gospel and country music, re-imagining the landscape of American music.

The New Yorker calls Anderson ‘one of the most distinctive guitar players of her generation’, while NPR refers to her as among ‘this era’s most powerful players’ . Her work has been featured in Billboard, Rolling Stone, NPR, SPIN, Pitchfork, the BBC and The Wire. Festival appearances include Big Ears, Pitchfork Midwinter, Le Guess Who and the Copenhagen Jazz Festival.

Anderson’s discography includes five solo records and multiple collaborations. Her latest release, Lost Futures (2021), is a collaboration with guitarist William Tyler. In 2020 Anderson released The Quickening with drummer Jim White (Dirty Three, Xylouris White). Anderson is sought after as a collaborator and composer, contributing to recordings by Matmos, Tara Jane O’Neil, Beth Ditto, Sharon Van Etten and Circuit Des Yeux among others, as well as creating music for short films and soundtracks.

Classically trained, she honed her skills playing in country, jazz and circus bands. and currently tours extensively throughout Europe and North America.

Cherished and admired in equal measure by listeners and fellow musicians, award-winning guitarist, singer, songwriter and prolific collaborator Kris Drever has been a leading light on the UK roots scene for well over a decade.

A highly skilled guitarist who adroitly blends traditional folk and flat picking with more contemporary influences – allied to a distinctively relaxed and poised vocal burr – Drever is an astonishingly fine interpreter of others’ songs, with an increasingly frequent knack for concocting seriously smart lyrical observations and earworm melodies of his own.

Drever has played and recorded with an extensive range of artists including Mark Knopfler, Jack Bruce, Danny Thompson, Eddi Reader, Bela Fleck, Tim O’Brien, Jerry Douglas, Sarah Jarosz, Joan As Police Woman, Tinariwen, Karine Polwart and Julie Fowlis.

George Lowden is a luthier based in Downpatrick, County Down, Northern Ireland. He constructs steel and nylon string acoustic guitars by hand without any UV finishing as well as solid-body electric guitars.

The Lowden Story:
In the late 1980’s George Lowden accepted an invitation to visit the main Lowden dealer for Switzerland, Servette Music in Geneva. Upon his arrival, co-proprietor Yves Imer thanked George for coming, because some of the Lowden customers he was to meet had not realised he actually existed – they thought “George Lowden” was merely the figment of some marketing man’s imagination – a leprechaun, in fact!

This served to enlighten George to the principle that an ‘information vacuum’ will always be filled – sometimes benignly, sometimes bizarrely.So, for the record, HERE is the complete story of George Lowden and his guitars.

Andy Irvine is one of the great Irish singers, his voice one of a handful of truly great ones that gets to the very soul of Ireland. He has been hailed as “a tradition in himself”.

Musician, singer, songwriter, Andy has maintained his highly individual performing skills throughout his over 50-year career.

Andy has been at the helm of legendary bands like Sweeney’s Men in the mid 60s, to the enormous success of Planxty in the 70s, and then Patrick Street, Mozaik, LAPD and recently Usher’s Island. Andy has been a world music pioneer and an icon for traditional music and musicians.

As a soloist, Andy fills the role of the archetypal troubadour with a show and a travelling lifestyle that reflect his lifelong influence, Woody Guthrie. To quote the Irish Times, “Often copied, never equalled”, his repertoire consists of Irish traditional songs, dexterous Balkan dance tunes and a compelling canon of his own self-penned songs.

Although the only singer/musician in his immediate family, Daoirí (pronounced ‘Derry’) was introduced to the music at a very early age by his parents who shared a keen interest in artists such as Christy Moore, Andy Irvine, Frank Harte, Planxty and The Bothy Band and more.  Daoirí took up music himself at the relatively late age of 16 and only started to perform at 23, but he has come a long way since then and the early release of his accomplished debut album ‘The First Turn’, which he recorded in 2009 while studying music on the Ceoiltoir Higher National Diploma in Irish Traditional Music Performance course, in Ballyfermot College of Further Education (BCFE), Dublin.

‘The First Turn, could well prove to be a winner for Daoirí Farrell’ Irish Music Magazine

Following the release of ‘The First Turn’, Daoirí took an extended break from recording to pursue a degree in Applied Music at Dundalk’s Institute of Technology, followed by an MA in Music Performance at the World Academy of Music in the University of Limerick.

Since Daoirí’s return to the stage, he has regularly performed in the many singing circles and folk clubs around Ireland, from Dublin’s famous Góilin singers club to the All-Ireland Fleadh to name but a few.  He has performed alongside some of the biggest names in Irish and international folk music including Christy Moore, Dónal Lunny, Martin Hayes, Dennis Cahill, Alan Doherty, Danú, Dervish, Julie Fowlis, The Young’uns, Paddy Keenan Trio, Matt Molloy, Arty McGlynn, The John Carty Big Band, The East Pointers, Kíla, Sean Keane, Gerry O’Connor (Banjo), Gerry O’Connor (Fiddle), Alan Burke, Lynched and more.

He became the All Ireland Champion Singer at the Fleadh in Co. Derry in 2013 and won the Danny Kyle Award at Celtic Connections in 2015 with the line-up FourWinds.

He has continued to gain in stature among the Irish folk-singing circuit, and has toured in numerous line-ups throughout Ireland and beyond, including dates in France, Germany, America, Canada and India, with his UK launch as a solo artist taking place at Glasgow’s Celtic Connections festival in January 2016.

Daoirí is currently working on his second solo album, due out in autumn 2016, and will tour the UK in May 2016 – including support dates for Cara Dillon and Sam Carter – and November 2016, with festival dates confirmed for this year including Moseley Folk Festival, Broadstairs Folk Week, Costa Del Folk and FolkEast.

LAU NOAH (ESP)

GEORGE LOWDEN (N.IRL)

Hanora George is baited and ready to catch some fish. Having released her debut EP in May 2016, George excited audiences to the point where she has had to undertake a ‘catch and release’ only policy for future expeditions. She is currently putting her heart and sole into her first album which will be released in May 2018.

ABOUT:

Northern Irish experimental folk songwriter and producer Joshua Burnside is something of a regional anomaly. With a brooding, powerful sound echoing artists of places afar and time long gone, his enthralling craft defies local comparison in striving towards an aesthetic as much as visual as it is sonic. Recorded at home in Lisbane, Co. Down, his new single ‘Black Dog Sin’ is the current distillation of his increasingly unmistakable approach; a fragile, yet ultimately commanding, chamber folk sound gloriously underpinned with unique zeal. 

While 2017 wrapped up with Joshua winning the Northern Irish Music Prize , 2018 began with NPR choosing the young folk musician as ‘100 of the artists to watch at this years SXSW festival.

QUOTES:

‘Rumbling, brooding, powerful, magnetic’ – The Irish Times

‘There’s an indefinable quality and charm to Joshua Burnside’s debut’ – The Sunday Times

‘It makes you glad to have a pair of working ears’ – Phil Taggart, BBC Radio 1

‘It is an endless adventure, a record that won’t tire, such is the depth and scope of what you hear’ – Daily Mirror

‘Dynamic and wide ranging in scope but stands as a complete and focused work. The end result is a triumph’ – Chordblossom

VIDEOS:

Kees van der Poel was born in Hilversum in 1947. At early age his family lived in Texas USA. After returning to the Netherlands, Kees found the guitar the best instrument for the music he loved. Classical lessons around the age of 10 soon became boring and Kees played in rockbands covering Shadows and Rolling Stones.
A major shift came when Pete
Seeger on his tour in 1964 played at Kees´ high school. Acoustic 12-string, what a sound! After studying 12-string and 6-string fingerstyle guitar, Leadbelly, Blind Blake, Doc Watson, John Hurt, and medicine in Utrecht in the early 1970’s, Kees toured as a solo artist and later joined the group Wargaren. Inspired by Martin Carthy, he turned to Dutch traditional folk music and studied with Rob Smaling at the Meertens Institute in Amsterdam. This became the basis for the later legendary Dutch folk group Wolverlei.
Dutch traditional music was also the reason to study diatonic harmonica with Frans Tromp and Carel Kraayenhof. In 2007 Carel asked Kees to join him with his guitar for a concert at Concertgebouw Amsterdam.
So Kees retired from medicine and presently takes a solid daily dose of guitar.