Éadaoin brings her band to Guitar town crossing Billie Eilish with Kate Bush!
Éadaoin brings her band to Guitar town crossing Billie Eilish with Kate Bush!
Paula Bilá, singer-songwriter from Cádiz, arrived in Madrid after five years developing her musical career in Ireland.
There she recorded and edited her first album, “Love and Hate”, where she has worked with Bill Shanley (Ray Davies), guitarist and producer on his first album, and with other musicians such as Liam Bradley (Van Morrison), Binzer Brennan (The Frames) and the Australian guitarist Stephen Housden.
The album, which was warmly received by both the press and the public, led her to tour different festivals in Ireland and Spain, as well as participating in festivals with an international reputation such as the Canadian Music Week in Toronto, Canada, in 2014.
Paula Bila returns now in Madrid to record and produce her second album with the help of great musicians from the international scene and under the direction of producer Manuel Sanz (Cosmosoul). An exciting new project that reflects his influences of folk, blues or black music.
Míde Houlihan is a Clonakilty bred singer songwriter, who has captured the hearts of many an Irish audience over the last number of years. With some high profile support slots including the likes of FRED and Canadian folk singer Doug Paisley, as well as international cult star, Jenn Grant, Míde has made a name for herself as one of Irelands brightest prospects.
Míde’s brand new EP, ‘Shifting Gears’, has just been released on Cork City record label, Unemployable Records, The EP, recorded by Christian Best (Mick Flannery), and features some great musicians such as Alan Comerford (O Emperor), Dylan Howe (Rowan,Clare Sands), and moreHer debut Album ‘Coloured In’ was released in 2015, with the lead single, ‘Nuts and Bolts’ winning the IMRO Christie Hennessy Songwriting Award. The Album went on the receive an incredibly warm reception In the media as well as the general public, with most critics citing Míde’s honest, sometimes humorous, sometimes heart wrenching songwriting as a diamond in what can sometimes be a crowded scene..
Sam and Les are a father and son guitar duo from Clonakilty. Les, originally from Liverpool, is an accomplished ragtime fingerpicking style guitarist and composer. While crafting this artform gigging and busking in Europe and living in Antwerp, he later moved to Clonakilty to settle down and started to study Flamenco.
When Sam was 11, he started to steal his fathers chops and started shredding his first electric guitar busking on the streets with his Dad in Cork and on family camping trips in France. His Jimmy Page obsession soon turned to Django Reinhardt and thus the Clague Brothers started to craft their own sound.
Original White lightning members Jeff Ward & Noel Gilbert Jones return to West Cork with old pal Steve ‘ Smiley’ Barnard (Joe Strummer/Robbie Williams) on drums to hang another Festival scalp around their battle worn rock n roll necks.
Since 1979 Jeff Ward has either played with, recorded or produced: White Lightning, Iron Pig, Mourneblade, Noel Redding, Paul King, & Colin Earl (Mungo Jerry), Vijay Jagtap, Eric Bell (Thin Lizzy), John Coughlan (Status Quo), David Jackson (Van Der Graf Generator), Roy Harper, Ian Anderson (Jethro Tull), Corky Laing (Mountain), Eric Schenkeman (The Spin Doctors).
“Jeff Ward is better than good, He’s Tasty!” – Noel Redding (the Jimi Hendrix Experience).
Stephen Housden is regarded as one of the finest guitarists in the world. Well known as guitarist with Little River Band for more that two decades, he has also played and recorded with such music legends as Warren Zevon, Glenn Frey (The Eagles), Dr. John, Christopher Cross, John Entwistle (The Who), Renee Geyer, P.F Sloan, Albert Lee, Steve Cropper, The Seekers, Noel Redding (The Jimi Hendrix Experience) and many, many others.
Born in Bedfordshire, U.K, Stephen was inspired to play the guitar by watching singing-cowboys on television as a child. After moving to Australia at the age of eight he quickly discovered Rock’n’roll and fell under the magic of such lead guitarists as Hank B. Marvin (The Shadows) and Chuck Berry.
He formed his first band at High School and played coffee houses, school fetes, and parties, all the time honing his craft. Hendrix and jazz great Wes Montgomery became influences as Stephen worked hard on learning as much technique as he could, while also striving to develop his own distinctive style.
That style brought him to the attention of some of Australia’s most successful recording acts and over the coming years Stephen was highly sought after as a band member and recording session player. Some of the stars Stephen worked with during this time were Marcia Hines, John Farnham, James Reyne, Joe Camilleri, Mark Hunter, The Bushwhackers, Doug Ashdown, Brian Cadd, Mark Williams, Doug Parkinson and Richard Clapton.
Stephen also played on various advertising jingles and film soundtracks including the international blockbuster Crocodile Dundee.
In August 1981 Stephen was asked to join one of the world’s most successful acts, Little River Band, as their lead guitarist. Since then he has toured the world many times with them and co-written many of their songs including their Top 5 hit Love Is A Bridge.
Over the years Stephen has conducted music theory and improvisation seminars for guitarists, and written columns for magazines such as Sonics and Australian Musician. He has also toured schools with his highly successful one-man showThe Evolution of Rock Guitar.
A few years ago he recorded his first solo instrumental album New World Groove. The opening track Celtic Warrior has been featured on the TV series Baywatch.
In 1999 Stephen and his family moved to Cork, Ireland. Long inspired by Irish music, Stephen now enjoys the opportunity to play with some of Ireland’s top musicians including a feature on Paddy Keenan’s Long Grazing Acre CD.
Jim Murray is one of the best and most respected accompanists in traditional Irish music.
Hailing from County Cork, Jim has toured and recorded both nationally and internationally with the A to Z of Ireland’s top musicians.
Having a wealth of teaching experience and performing master classes around the world, Jim has now produced his own highly anticipated on-line guitar tutorial focusing on all aspects of accompanying traditional Irish music with a guitar.
Jim Murray & Dezi Donnelly
For nearly four decades, American fingerstyle wizard Richard Gilewitz has fascinated listeners with 6 and 12-string finger gymnastics while spinning enchanting yarns of a seasoned raconteur. His concert performances around the world spill over with unexpected turns of the funnies, thought-provoking takes on life on the road, and tunes that propel the audience on a magical journey of sight and sound. His signature playing style delivers a technical diversity of banjo style patterns and classical arpeggios with a rhythmic percussive approach, exploring the history of guitar with sounds of folk to Americana, the blues to the classical, ragtime to pop, and somewhere in between.In addition to his concert performances, his GillaCamp Guitar and Ukulele Workshops, Meet the Artist Seminars, Clinics, and Avenues for Success educational program for schools inspire players worldwide, providing opportunities for music lovers to work on their craft and young players to learn fingerstyle techniques and tips of the trade.
Growing up in Cherry Hill, New Jersey and Huntsville, Alabama, Richard embraced such diverse artists as The Beatles, Andres Segovia, Kraftwerk, Leo Kottke, J.S. Bach, Arlo Guthrie, John Fahey and Flatt & Scruggs. Soaking up the wealth of inspiration supplied by the assorted acts featured at the Renfro Valley festivals, “The Dr. Demento Radio Show” and “The Midnight Special”, Richard welcomed the challenge of mastering and adapting many styles of music for the acoustic guitar — a trait that continually places him among a multitude of genres.
Richard began honing his skills both as a performer and composer during the late 1970’s at the University of Alabama, playing the local coffeehouse circuit while pursing degrees in Computer Science, Mathematics, and Music. Following graduation, Richard placed his musical calling in the background and joined the world of flight simulation design, telemetry and satellite systems.
The 1980’s brought Richard to Florida where he released his first LP recording, Somewhere In Between. As the pull of his passion for performing and recording became so compelling, Richard left corporate life to teach and perform full time in a career that has propelled him into an international music arena. He has gone on to release seven more recordings plus a number of educational materials.
Students around the globe attend Richard’s roving GillaCamp Guitar/Ukulele Workshops and Guitars, Gear, and a Bit of Ukulele Clinics. These interactive experiences provide players an avenue to renew their love of the instrument and hone their craft. Designed for all level of player, these events explore a wide variety of topics in a group and individual setting. Richard also has a number of international students that study with him through Skype and is guest instructor at a number of international guitar retreats including Winterbreak in Australia and Guitar Retreats in the UK. Meet the Artist Educational Outreach takes him into the learning environment at grade/middle/high schools, colleges, and universities as this 1-5 day residency program introduces students to the professional musician. Classes include lectures and instruction.He is on the faculty of Master the Possibilities of Ocala Florida, and is a Sherpa Classroom Instructor with TrueFire.
Today, recognized world-wide as a performer who has a quirky take on everything around him, Richard continues to live up to this depiction with rousing shows filled with offbeat observations combined with his right-hand wizardry and heaps of technique. With Richard’s performances teeming with sparkles of mood mastery and wonderment, he shares a fresh impression of sound to the listener during his concert appearances and at his workshops.
Says Spectrum Magazine, “Much of the charm of a Gilewitz performance is in the stories he tells. He wondered aloud to the audience how many ducks he could take out in a fight if he were to be attacked by a flock of the sneaky waterfowl.”
Whether playing solo, conducting guitar seminars and school programs, or sharing the stage with folks such as Stephen Housden of the Little River Band, Brooks Williams, Michael Fix, The California Guitar Trio, John McCutcheon, John Renbourn, Mose Allison, the late John Fahey, Leo Kottke, Norman Blake, Indigo Girls, or John Hammond, Richard always invites the audience to join his journey filled with twitters, twists, and turns at every tune.
“Ear-boggling” The Washington Post
“His complex, energetic originals have made Gilewitz popular on the festival and club circuits as a solo performer.” Guitar Player Magazine
”His performance style is very crisp and precise, allowing the personality of the music to shine through.” Dirty Linen Magazine
“His quick wit and twisted sense of humor has made him an entertainer as well as a fine guitarist.” Fingerstyle Guitar Magazine
The Church, led by electric guitar high priest Matt Churchill is an instrumental, brain exploding, wig out machine that comprises some of the finest session musicians in the country, every lick, chop and lead that Churchill unleashes causes synaptic explosions in the central nervous system!
Their shows are a rare event making their annual Clonakilty International Guitar Festival not only one of the highlights of the festival but a highlight of the YEAR!
Our own guitar master Bill Shanley is back for this year’s festival. As well as anchoring the legendary Shanleys session on Sunday 19th, he will also feature in Guitartown programme 3 – a selection of performances recorded in Shanleys.
Raised in the West Cork haven of Clonakilty in the renowned Shanley’s Music Bar, Bill was surrounded by pro musicians from a very young age. Bill’s father, Moss Shanley, a great piano player and entertainer immersed in the music of the 40’s and 50’s, encouraged Bill to sit in on gigs from an early age and was a great mentor to him in his formative years.
Noel Redding, of the Jimi Hendrix Experience, gave Bill his first guitar lessons and was a big part of Bill’s musical education, introducing him to early Rock and Roll and more. From his first guitar lessons with Noel at the age of nine they played hundreds of gigs together in Shanley’s Bar, joined on regular occasions by Mitch Mitchell, Tom Mc Guinness and Eric Bell.
Noel and Bill’s playing partnership culminated in a concert, together with Randy California, in the famous Olympic Theatre in Paris in 1990 to mark the 20th anniversary of Hendrix’s death, the same venue that the JME did their first ever gig in 1966.
In 1990, straight out of school, Bill moved to Dublin and established himself as a highly sought after guitarist both in the studio and live. Accompanying Eleanor McEvoy during the heady days of recording “A Woman’s Heart”, on the strength of which Eleanor and her band signed to Geffen Records in 1993, and becoming a key member of Mary Black’s band in 1995, remaining so today as musical director, and recording the Full Tide, Stories from the Steeples, Speaking with the Angels, Shine and more recently Mary Black sings Jimmy Mac albums.
Midnight Mission is Shanley’s most recent album and comprises original recordings inspired by the excitement and melodies of early electric guitar music, drawing on Bill’s world class guitar playing and ability to write great, timeless melodies. It features special guests Ray Davies and Paul Brady.
Session & Touring Guitarist, Producer…
Dublin based, Bill is one of Ireland’s top session and touring guitar players and producers. Bill has established himself internationally too, through touring and contributing to albums with Ray Davies, Paul Brady, Mary Black, Roy Harper, Gilbert O Sullivan, Alexandra Burke, Sinead O’Connor, Judy Collins to name a few.
Being an accompanist has always been of key interest to Bill, enjoying the great scope and limitless backdrop you can create as a player for the artist you’re working with. This skill was commented on in the Financial Times review of a Ray Davies show a the Royal Albert Hall –“Is there a finer sideman around? It’s unlikely…”