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There are no words to describe the music that West Cork based band The bones below create. That is unless you use words like rock, folk, blues, guitars, drums, pianos, vocals…. 

“One of the most immediately captivating components to The Deadlians’ musicianship is the mesmerising combination of punk and psych rock sensibilities steering beast-like tracks like Scumbag with an Ice Pop, and A Few Cans of Minerals. Those moments conjure the sweaty clubs of 1970s New York…” [Zara Hedderman in Totally Dublin]

The Kates are Liz Clark, Mide Houlihan, Eve Clague, MaryBeth O Mahony and Paula K O Brien, a group of west Cork artists who celebrate the rock goddesses that have come before them, torching a trail through a man’s world.

They only perform songs written or performed by women, from Patti Smith and Courtney Love to Sharon Van Etten and Lizzo.

Viva le revolution!

ADT writes stories of the heart wrapped in atmospheric soundscapes, and he describes his debut album ‘volume one’ as ‘a painting of emotional honesty.’

Produced by multi-instrumentalist, Justin Grounds, the album was recorded in a little room overlooking the beautiful town of Clonakilty, West Cork, and will be released at this year’s Clonakilty International Guitar Festival.

Hugely influenced by the Atlantic Ocean, the West Cork landscape and his family, ADT admits to a minor obsession with lighthouses. He is also a member of renowned Irish band LOWmountain.

Formed in 2012 and performing sporadically along the Munster coastline Fir Beag are a West Cork collective of musicians that emerge every once in a while from the ocean, salt crusted & sea weed draped. Their sound is musical, evocative and uplifting, combining multiple harmonies, lyrical hooks and flights of instrumental whimsy.
Flirting with elements of folk, trad, raggae, rock and punk their experimental sound is propped up with the use of ambient noises in soulful, catchy, and sometimes raging melodies. Fiddles, drums, guitars and vocals naturally weave together to create a captivating experience.

Featuring: Gav O’Mhordha, Fear Beag, Armoured Bear, Justin Grounds

EUGENE BROSNAN 

celebrating the 30year anniversary of his debut album ‘Well he said he’d be Here!’

Well he said he’d be here!

In 1995, having lived in Clonakilty for a few years prior, I decided that I would record a CD! No real experience but with enthusiasm and a whole bunch of friends, family and the odd unsuspecting, visiting musician! 10 songs were recorded in 8 days and two days were put aside to mix, not a lot of time to mix 10 songs but needs must…eight of the songs were my compositions and it also included a beautiful song, by Jeremiah O’Keeffe, about watching his nephew grow up, perhaps a little too fast and a catchy folksy ballad, penned by Colm O’Sullivan, local educator, musician and visual artist.

After spinning my dream to some friends and family, all were supportive in their various ways, none more so than 16 year old prodigy, John Fitzgerald, now a multi-instrumentalist, producer, and engineer. He helped arrange the songs and suggested the musicians to choose for certain pieces, propelling the project along nicely.

Nick Harper was over a few times to record with his dad and to work on his first two solo records. We became buddies quickly and his boundless energy and his off-the -scale talent, was so welcomed, from the first notes he played on Miles & Miles, one of my favourites on the album.

Clonakilty is always in bloom in my eyes, but it never shone brighter than it did in those days in the mid 90s, when Hothouse Flowers were regular visitors and I had the pleasure to jam and play with their amazing drummer Jerry Fehily and I felt blessed when he came to the Dublin sessions and played drums on 5 of the rockier tracks. Les Sampson did the drums on 3 of the other acoustic songs, including the aforementioned Miles & Miles, listening to it now, 30 years later, you can hear what he was the chosen kit man for the likes of Steve Marriot and Noel Redding It blew my mind. Inspired by the solo work of the Alarm’s Dave Sharp, I decided to split the album, 5 up tempo, Rock/Pop songs and 5 folksy, acoustic songs. It made sense to me in more ways than one. As luck would have it, the great virtuoso guitarist and Clon man, Bill Shanley, was laying down guitars on Paul Harrington’s album at another studio in Temple Bar, so he jumped in for some of the sessions there and elevated things somewhat with his driving, colourful and melodic sound.

Kieran Kiely (Sinead O’Connor, Shane McGowan) heard about the session from one of the lads. No mobile phone in those days to announce our impending arrivals, so, Kieran just showed up and set up his keyboards, with a very confused engineer who had heard nothing about a keyboards player. Kieran assured him, “twill be grand”! It was much better than grand. Thank you Kieran.

The writer of the second song on Well he said he’d be here !, Colm O’Sullivan, also played piano and arranged string parts for the Rossmore sessions, adding depth to the acoustic songs with their sparse arrangements. My bestie at the time was bassist supreme, Noel Barrett. He and I had worked at my home set up in Ardfield, on the demos, a few weeks prior to the recording dates and shared the bass duties with John Fitzgerald.  At both sessions, Neil Amor (The Christians, Chris Rea, Nick Harper) was at the helm, keeping everyone and everything calm and relaxed and moving despite the  sometimes chaotic happenings.  At the time Neil was co-credited with the production, but looking back now, Well he said he’d be here! was produced by a group of musicians, family and a bighearted community spirit, somehow all gathered together during during a very special time for music in Clonakilty.

Nowadays, artwork may not mean what it did back then, when the booklet and front and back covers of your CD, were a very important part of the music, having it in your hands, reading the lyrics, finding out who played the drums, staring at the photos or artwork, while the music played was always special to me and I remember being delighted when I saw the proofs, prepared  by Liz Twomey, for the photos, artwork and layout. Happy Days indeed.

David Christy Jones is a 28-year old songwriter and multi-instrumentalist based in West Cork, Ireland. Born in Wales to a musical family, he found himself surrounded by musicians playing from a young age. At 7 years old he relocated to Clonakilty, Ireland with his family.

On April 17th, 2021 David released his debut album – the nightmarish and one of a kind ‘Welcome To Virology’. Inspired by the blues and folk stars of old; modern contemporary rock and pop; classical music and the avante-garde – he has taken their recipes and added his own distinct flavour. His style is undoubtedly unique and fresh.

Since 2009, David has been an active and respected session drummer, bassist, guitarist, and vocalist and has played with countless acts across all genres. From jazz, blues, and folk to heavy metal, rap, and country. He has performed in many bands over numerous genres and toured in Europe, The UK, and the USA.

What are people saying about Welcome To Virology?

“The debut album by Cork’s David Christy Jones is as colourful and versatile as the new reality we are still trying to cope with. His debut album is a satiric, serious, and nihilist approach on how to survive this madness.”
-Mangorave

“An outstanding mixture of progressive rock, funk, rap and social critique, “Welcome To Virology” is an honest and majestic musical work from Irish eccentric multi-instrumentalist, David Christy Jones. It’s a broad expedition of witty lyrics and unconventional musical composition.” -Lessthan1000followers.com

“This material is an experimental masterpiece by all means.”
-punk-rocker.com”A sound that mixes Funky, Prog Rock and many other musical genres in a unique and original recipe. Lively, innovative songs that manage to keep you on tip of your chair from the first to the last second. A fantastic discovery that I recommend everyone to listen to with an open mind.”
-edgarallenpoets.com

The brilliance of this album is that Jones goes all in. This assuredness and dedication in songwriting is wonderfully refreshing and reaps maximum reward in this instance.
It’s blatantly obvious from this record that we are dealing with an artist who is humming with creative energy and, most importantly, has the conviction to take that creativity to extreme places.
-demarsmagazine.com

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The Brothers Clague,

join The Brothers Clague and some special guests as we celebrate the Family Clague’s contributions to guitartown over the last 21+ years…..

Sam and Les are a father and son guitar duo from Clonakilty.  Les, originally from Liverpool, is an accomplished ragtime fingerpicking style guitarist and composer.  While crafting this artform gigging and busking in Europe and living in Antwerp, he later moved to Clonakilty to settle down and started to study Flamenco.

When Sam was 11, he started to steal his fathers chops and started shredding his first electric guitar busking on the streets with his Dad in Cork and on family camping trips in France.  His Jimmy Page obsession soon turned to Django Reinhardt and thus the Clague Brothers started to craft their own sound.

The Church, led by electric guitar high priest Matt Churchill is an instrumental, brain exploding, wig out machine that comprises some of the finest session musicians in the country, every lick, chop and lead that Churchill unleashes causes synaptic explosions in the central nervous system!

Their shows are a rare event making their annual Clonakilty International Guitar Festival not only one of the highlights of the festival but a highlight of the YEAR!

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